#Richard Prince
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ArtLaw
Yours might have been yours, but now it is mine: Appropriation artists and the shady area of copyright
Appropriation art can be tracked back to the beginning of the 20th century, but its bloom accounts for in the 1980s and later years when the artists started to reproduce the preexisting works as their own. Appropriation art raises many legal questions, such as authenticity, authorship and originality. Read a bit about these issues in the article of Maria Boicova-Wynants*
Cases
Richard Prince and art on Instagram
This is an extract from the book “Law, Art and the Commons” (2018) by Merima Bruncevic. The book presents the new way of thinking about the art, law, cultural commons and their interconnections through the lens of the theory of the French philosopher Gilles Deleuze and the French psychoanalyst Felix Guattari. Among other things it sets and explores the concepts of lawscape, helps to regard the law broader then just a "box" and to overcome the existing, long-standing legal dichotomies (artist-user, public-private, right-heritage, etc.). This book is an experience!*